RUSSELL ISLAND’S TIME TRAVELLING STORYTELLER OF CHAOS

That woman is Suzsi Mandeville.

And from that moment of mild literary outrage, a writer quietly, and then not so quietly, emerged.  Well, she argues she’s not a “writer” at all.

“Creative,” she says instead. Because writers, in her world, wear scarves indoors and know what a semicolon is supposed to do.

Still, the evidence is stacking up, poetry, short stories, plays, and now three novels later, the label is looking less like a label and more like an admission.

She’s picked up a few awards along the way too, though she doesn’t appear to have let them interfere with her main priorities; painting, clay sculpture, gardening, renovation, and maintaining a respectful, long term relationship with the sea.

A good day, according to Suzsi, involves swimming or launching her little tinny out into open water, a ritual she describes less as leisure and more as “thanking the universe for not killing me today.”

Russell Island, she says, is the real muse. Not the romanticised version with sunsets and serenity, but the slightly eccentric, salt sprayed version where characters practically introduce themselves over the fence.

She’s even written a two act comedy set here. Naturally, it involves island eccentrics (names changed to protect the guilty and, more importantly, protect her). The plot? A floating airport proposed between the Southern Moreton Bay Islands to solve the plane noise problem. Because nothing says “community consultation” like launching a protest against aviation infrastructure that hasn’t been built yet.  Chaos and comedy, she assures us, is the point.

Suzsi’s writing process is less “discipline and routine” and more “possession with wifi.” She starts with an idea, then steps aside politely while the characters take over.

“I just take dictation,” she says, like it’s normal to have a committee of historical personalities arguing in your head before breakfast

One novel even featured an accidental murder of a lead character, a moment she handled by calling a friend in mild panic, only to discover said friend assumed she was referring to her husband and immediately offered help hiding the body.  That plot twist became the backbone of the book.

Her novels roam through history like they’ve been given a visitor’s pass and no supervision. Escape from the Valley of the Kings (Egypt, 1922), Escape from the King’s Company (London, 1666), and Escape from the King’s Island Prison (Tasmania, 1839). All anchored by Tiffany, a time travelling teenage goth with attitude, poor survival instincts, and a deep distrust of anything without plumbing.

Tiffany exists, Suzsi says, because of a simple observation made over a conversation with her partner, Pete.  Modern kids would not survive the past.  So, she decided to test it. Repeatedly.  On paper, with consequences.  Pete now plays the role of patient wine supplier and general witness to Suzsi’s creative chaos - a vital position in any serious artistic operation.

Suzsi cites James Clavell and Terry Pratchett as guiding lights; one for storytelling depth, the other for making serious points while making readers laugh when they probably shouldn’t.

That blend is fairly obvious in her work; history, humour, and a steady refusal to take anything too solemnly, including death, disaster, or continuity errors.

Her favourite scenes tend to involve people arguing across centuries, cultures, and injuries, including a Scotsman and a Frenchman attempting to “out wound” each other in what can only be described as historical competitive complaining.

When asked if her writing is autobiographical, she gives the only sensible answer available to anyone writing fiction while living on an island with chooks, renovation dust, and historical hallucinations.

“Mostly no, occasionally yes, sometimes the characters simply visit,” she says without irony or further explanation.

These days, Suzsi is re-editing and re-releasing her work, with more on the way. Books two and three are quietly lining up for release, while life on Russell Island continues to provide both inspiration and material, often in the same afternoon. She’s also part of Writers on Water, a group that meets monthly and is preparing a short story collection for Christmas. Presumably involving fewer floating airports. Though on Russell Island, nothing is ever entirely off the table.

You’ll find Suzsi’s stories on www.vocal.media and Amazon Kindle, just type Suzsi Mandeville into the search bar and prepare for the rabbit hole.




RUSSELL ISLAND’S TIME TRAVELLING STORYTELLER OF CHAOS

That woman is Suzsi Mandeville.

And from that moment of mild literary outrage, a writer quietly, and then not so quietly, emerged.  Well, she argues she’s not a “writer” at all.

“Creative,” she says instead. Because writers, in her world, wear scarves indoors and know what a semicolon is supposed to do.

Still, the evidence is stacking up, poetry, short stories, plays, and now three novels later, the label is looking less like a label and more like an admission.

She’s picked up a few awards along the way too, though she doesn’t appear to have let them interfere with her main priorities; painting, clay sculpture, gardening, renovation, and maintaining a respectful, long term relationship with the sea.

A good day, according to Suzsi, involves swimming or launching her little tinny out into open water, a ritual she describes less as leisure and more as “thanking the universe for not killing me today.”

Russell Island, she says, is the real muse. Not the romanticised version with sunsets and serenity, but the slightly eccentric, salt sprayed version where characters practically introduce themselves over the fence.

She’s even written a two act comedy set here. Naturally, it involves island eccentrics (names changed to protect the guilty and, more importantly, protect her). The plot? A floating airport proposed between the Southern Moreton Bay Islands to solve the plane noise problem. Because nothing says “community consultation” like launching a protest against aviation infrastructure that hasn’t been built yet.  Chaos and comedy, she assures us, is the point.

Suzsi’s writing process is less “discipline and routine” and more “possession with wifi.” She starts with an idea, then steps aside politely while the characters take over.

“I just take dictation,” she says, like it’s normal to have a committee of historical personalities arguing in your head before breakfast

One novel even featured an accidental murder of a lead character, a moment she handled by calling a friend in mild panic, only to discover said friend assumed she was referring to her husband and immediately offered help hiding the body.  That plot twist became the backbone of the book.

Her novels roam through history like they’ve been given a visitor’s pass and no supervision. Escape from the Valley of the Kings (Egypt, 1922), Escape from the King’s Company (London, 1666), and Escape from the King’s Island Prison (Tasmania, 1839). All anchored by Tiffany, a time travelling teenage goth with attitude, poor survival instincts, and a deep distrust of anything without plumbing.

Tiffany exists, Suzsi says, because of a simple observation made over a conversation with her partner, Pete.  Modern kids would not survive the past.  So, she decided to test it. Repeatedly.  On paper, with consequences.  Pete now plays the role of patient wine supplier and general witness to Suzsi’s creative chaos - a vital position in any serious artistic operation.

Suzsi cites James Clavell and Terry Pratchett as guiding lights; one for storytelling depth, the other for making serious points while making readers laugh when they probably shouldn’t.

That blend is fairly obvious in her work; history, humour, and a steady refusal to take anything too solemnly, including death, disaster, or continuity errors.

Her favourite scenes tend to involve people arguing across centuries, cultures, and injuries, including a Scotsman and a Frenchman attempting to “out wound” each other in what can only be described as historical competitive complaining.

When asked if her writing is autobiographical, she gives the only sensible answer available to anyone writing fiction while living on an island with chooks, renovation dust, and historical hallucinations.

“Mostly no, occasionally yes, sometimes the characters simply visit,” she says without irony or further explanation.

These days, Suzsi is re-editing and re-releasing her work, with more on the way. Books two and three are quietly lining up for release, while life on Russell Island continues to provide both inspiration and material, often in the same afternoon. She’s also part of Writers on Water, a group that meets monthly and is preparing a short story collection for Christmas. Presumably involving fewer floating airports. Though on Russell Island, nothing is ever entirely off the table.

You’ll find Suzsi’s stories on www.vocal.media and Amazon Kindle, just type Suzsi Mandeville into the search bar and prepare for the rabbit hole.




ORGANISED CHAOS, ONE PANIC BUTTON AT A TIME

At some point during our conversation, Alan Brooks started talking about curlews. Not budgets, not committee politics, not membership numbers or operational strategy. Curlews.

Specifically, the one that wanders through the outdoor area of the Russell Island Bowls Club late at night after everybody has gone home, scavenging for dropped chips while staff lock up after another long day.

Honestly, it told me more about the club than any formal interview answer ever could. Because bowls clubs are healthy little ecosystems. Especially on islands. Not just human ones either.

They are part sports venue, part therapist’s office, part music venue, part emergency relief centre, part neighbourhood kitchen and part accidental sociology experiment; the kind of place where wildlife wanders through after dark as if it belongs there too.

Somewhere between the bowls tribe and the trivia tribe sits the emotional pulse of a community trying to hold itself together in increasingly disconnected times. And now Alan Brooks has somehow found himself elected President right in the middle of it.

“I think people were looking for someone who is hands on,” he says. “Someone keen to take a strong role in steering the club through the next stage.”

That “next stage” involves a proposed new building, expanding community engagement and keeping the club relevant on rapidly growing islands where the population is shifting faster than the stereotypes mainlanders still cling to. Alan says outsiders still misunderstand island life.

“What people get wrong is the community spirit and the diversity of the residents,” he says.

That diversity is obvious the moment you walk inside. Aged care groups arriving for lunch, tradies unwinding after work, retirees dancing to live music, families feeding kids chips under tables, bowlers taking competition seriously while nobody else does and laughter spilling from the bar. Behind it all, more than thirty local staff keeping the machine running.

“It’s crazy busy, and the demands are unrelenting,” Alan laughs.

This is where the romantic mainland fantasy of bowls clubs collapses. There are no sleepy afternoons or cucumber sandwiches. The Russell Island Bowls Club is organised chaos wrapped in community obligation. Alan jokes the object that best represents it is the office panic button bell.

“The bell gets more action than the lawn bowls some days,” he says. And he’s not exaggerating, because order here is always one moment away from needing to be restored.

But beneath the humour is a system that only functions because the right people are in the right roles. At the centre of that is General Manager Phil McAuley, whose working relationship with Alan is built on trust, speed, and a shared understanding of what the club actually needs in real time. There’s no performative management layer between them; decisions happen, problems are dealt with, and things move. It’s not formal so much as instinctive.

“We’ve got a great understanding, the kind that doesn’t need over explaining,” he says.

The story, though, is not really about bowls. Not entirely. It is about belonging.

The club supports sporting groups, schools, artists, wildlife carers, musicians and community organisations. It hosts wakes and provides finger food free of charge because grieving people on small islands still quietly look after each other. It offers affordable meals in a time when many households are stretched and free entertainment across weekends because people need somewhere to go where existing doesn’t cost a fortune.

Alan talks about the venue less like a businessman and more like someone protecting a place that matters.

“The Bowls Club is definitely about bowls, but it’s also very much part of our wider community,” he says. “People come here for all sorts of reasons; and most of them have nothing to do with bowls.”

That goes some way to explaining why bowls clubs are becoming cool again in places like the Bay Islands. Younger generations are chasing what these places accidentally perfected decades ago; authenticity. Real spaces, affordable nights out, human interaction not built around image, status or performance.

The Russell Island Bowls Club manages to feel both old school and current at the same time. Alan understands the balance instinctively. He says some clubs are disappearing because they failed to adapt, while others survive by staying relevant to the communities around them.

“This does not happen by accident,” he says.

Which is why the future plans sound less like preservation and more like reinvention; family spaces, a children’s play area, flexible event areas, stronger entertainment, and more reasons for people to walk through the doors who have never touched a bowl.

“We need to lead the provision of recreation spaces and activities,” Alan says.

That sounds simple until you live on an island. Because here, places like this are not extras. They are infrastructure, and they hold people through rough weeks, keep older residents connected, and turn newcomers into locals simply by repetition.

Alan arrived about four and a half years ago after leaving the Glass House Mountains and travelling Australia as a grey nomad. He says people who thrive here tend to be connected to nature, creativity and casual friendliness.

“It also caters for people who wish to disappear from the real world,” he says.

That line resonates. Because the club seems to cater for both; people disappearing and people reconnecting.

When asked what unwritten rule defines the bowls club culture, Alan doesn’t hesitate.

“Don’t take yourself too seriously.”

Alan also speaks about wanting people to feel safe, welcome and part of the place when they walk through the doors. No grand speeches, no self importance, just good energy.

And that’s probably enough to explain how a place like this actually works; not through calm, but through constant motion, adjustment, and the people willing to keep showing up.

Alan Brooks seems fine with that, as long as the doors stay open, the lights stay on, and the panic button still works when it needs to.

Fun Fact: It’s not a “bowls ball”. It’s a “bowl”. And the white target is called “the jack”, or “the kitty”. Sounds harmless enough, until you see how quickly the claws come out when everyone’s competing for it.

Jul 1, 2026

5 min read

BRAVEHEART BOWLERS STORM TO PAIRS TITLE ON MACLEAY ISLAND

When the Macleay Island Bowls Club Men’s Championship Pairs was recently contested on Macleay Island, few could have predicted that one day a championship final would feature Braveheart inspired face paint. Yet that’s exactly what unfolded at this year’s decider, proving once again that bowls is about far more than what appears on the scoreboard.

The much anticipated final at Seahorse Arena saw Allan Fittler and Raf Robba take on Pat Cowell and Alan “Scruffy” McGilp in a match that had spectators talking well before the first bowl was delivered.

Pat and Scruffy, both proudly claiming Scottish heritage, arrived with faces painted blue in homage to the warriors of Braveheart. Historical accuracy may have been stretched a little, but nobody could question their commitment to the occasion. In what is believed to be a first for the club, the colourful display added an extra layer of theatre to an already highly anticipated championship clash.

Whether the war paint played any part in the result will remain one of the island’s great sporting mysteries. Allan and Raf kept the contest competitive early, but as the ends ticked by, Pat and Scruffy gradually found their rhythm and edged their way ahead. By the completion of the 21st end, they had secured a 25-12 victory and the 2026 Men’s Championship Pairs title.

While the spoils went to Pat and Scruffy, Allan and Raf can hold their heads high after a strong campaign and a finals performance that contributed to a terrific spectacle for players and spectators alike.

Adding another chapter to the story is Scruffy himself, who is well known throughout the Redlands, Brisbane and Moreton regions as the lead singer of popular Celtic folk band Tullamore Tree. It seems entertaining a crowd comes naturally, whether the stage is a music festival or a bowling green.

As with all great community sporting events, the day was about more than trophies. It was about friendship, laughter, good natured rivalry and creating memories that will be talked about long after the final bowl was delivered.

Congratulations to Pat and Scruffy, who will now go on to represent Macleay Island Bowls Club at the Gateway District Club Championships. The club and the bowling community will be cheering them on every step of the way. Whether the face paint is approved and finds its way onto the district stage remains to be seen. But if it does make another appearance, no one back home will be complaining.

Jul 1, 2026

2 min read

THE NURSE WHO NEVER STOPS GIVING

If you want to find Nurse Summer Freeman, don’t start at the medical centre. Start with the cats. Before most people have had their first coffee, Summer has already fed a collection of animals, checked on pets that aren’t technically hers and started caring for everyone except herself. By the time she arrives at work, she’s already completed what many would consider a productive morning.

But across the islands, that seems to be exactly what people have come to expect from Summer. Ask around and you’ll hear the stories. The grandmother who quietly needed help but didn’t know how to ask. The family struggling through a difficult time who suddenly found a box of essentials at their door. The patients who needed medical supplies, advice, encouragement or simply someone to listen. The residents on neighbouring islands who somehow receive exactly what they need because Summer heard about it and lugged it across on a ferry. The giving never really stops. And neither does Summer.

“I learnt to be kind from Mum,” she says simply.

Sitting beside her at 8th Sense Cafe is her mother, Robyn Freeman, who at 84 possesses the kind of energy that makes you double check her age. Throughout the morning they laugh, interrupt each other, and occasionally disagree over details that happened decades ago. The bond between them is impossible to miss.

As we sit in the cafe, the interview is repeatedly interrupted. Someone stops to say hello. Another waves from across the room. Summer greets each of them by name, effortlessly slipping back into conversation as though nothing has paused. These interruptions aren’t distractions, they are the story. This is who she is in the world she lives in.

These days Summer spends one week at the home she shares with her fiance, Robbo and one week staying with Robyn. During those weeks, after long shifts at the medical centre, Summer returns home to find dinner waiting and lunch already packed for the next day. Robyn knows her daughter often eats on the run and rarely slows down long enough to look after herself. Someone, after all, has to take care of the person who spends her life taking care of everyone else.

Summer wasn’t always destined for nursing. Born and raised on the Gold Coast, she once told her mother there were three things she’d never do. Move to Macleay Island. Go to university. Become a nurse. Seventeen years later she has achieved all three.

After starting in aged care, she completed a Diploma of Nursing before relentlessly pursuing a position at the island’s medical centre.

“I harassed them for the job,” she laughs.

Eventually the practice gave in.

“They said they’d hire me if I left them alone.”

That persistence would become one of her defining characteristics. When the islands needed a diabetes educator, Summer went back to university and became one. When there were no female doctors available to provide cervical screening services, she completed additional training. Whenever she identifies a gap in healthcare, her response is remarkably consistent. She studies, she qualifies and she fills it.

“I’ve always based my upskilling around the needs of the community,” she says. Her goal isn’t simply to treat illness.

“My goal is to change lives, not just mask symptoms.”

As a Credentialled Diabetes Educator, she works to help people improve their health through education and lifestyle changes, often helping patients delay or reduce reliance on medication. It’s work she approaches with the same philosophy that has guided her throughout her career.

Nursing, she says, is a career built as much on communication and empathy as clinical skill. And while technology continues to transform healthcare through electronic records, artificial intelligence and advanced diagnostics, Summer believes one thing remains unchanged. Patients still need human connection, they still need someone to listen and they still need someone to care.

One of her earliest lessons came as a student nurse. A patient who had just learned they were dying asked specifically to speak with her. The request surprised Summer. Surely the patient would want someone more experienced. Instead, the woman introduced Summer to her family and thanked her for making a difference. Confused, Summer asked what she’d done. The answer has stayed with her ever since.

“By just being there for me,” the patient said gratefully.

That lesson still guides her today. Whether she’s managing chronic disease, mentoring students, helping families navigate difficult diagnoses or simply listening, she understands something many people overlook. Sometimes the most important thing a healthcare professional can do is show up. It’s a quality that seems perfectly suited to island life.

After more than two decades living in the community, both Summer and Robyn have watched Macleay Island evolve. The population has grown, the landscape has changed, some of the old character has disappeared. But the spirit that first drew them here remains.

“There’s no snobbery, which I love very much,” says Robyn.

“If you are who you are, the island accepts you,” adds Summer.

Perhaps nowhere is that acceptance more visible than in the everyday acts of generosity that happen quietly across the islands. A bag of chokoes appears on a doorstep, fresh citrus gets shared around the neighbourhood, plants, produce, tools and meals move from household to household. Someone always knows somebody who can help.

“The word gets out and everyone just keeps giving,” Summer says.

She also speaks of the extraordinary people she has met along the way. Residents include a Holocaust survivor, an Antarctic explorer, and countless others with remarkable stories that never make headlines but shape the fabric of the community.

“There are so many interesting people with amazing stories,” she says.

Her work extends beyond the medical centre through her close involvement with local support networks, including the Kindness Group, where she helps identify struggling families and individuals who might otherwise slip through the cracks.

Yet despite the demands of nursing, Summer somehow still finds time for herself. She enjoys weight training, qigong and swimming. She’s a proud member of the island’s affectionately named “Bob and Bitch” group with Robyn, where locals float in the water, exchange gossip and occasionally drift with the tide.

“If you want to know anything, just go down to the Bob and Bitch group,” she jokes.

She and Robyn also share a love of outrigger paddling, although an encounter with a tiger shark dampened their enthusiasm for racing around the island. Only slightly. Because if there’s one thing you quickly learn about the Freeman women, it’s that neither is easily deterred.

Robyn still fiercely guards the fruit trees. Summer still takes on extra study whenever the community needs something. Both remain deeply invested in the place they call home.

As the morning crowd comes and goes at the café, another person stops to say hello. Then another, and another. It’s difficult to tell whether people know Summer because she’s their nurse, or whether she’s their nurse because she knows everyone.

Perhaps on the islands those two things are impossible to separate. After all, nursing isn’t really what Summer does. It’s who she is. A life built around showing up, helping out and quietly making things better.

And if you ask the people she has helped over the years, they will not talk about qualifications, titles or procedures. They will talk about the same thing. She always showed up.

Jul 1, 2026

6 min read

ORGANISED CHAOS, ONE PANIC BUTTON AT A TIME

At some point during our conversation, Alan Brooks started talking about curlews. Not budgets, not committee politics, not membership numbers or operational strategy. Curlews.

Specifically, the one that wanders through the outdoor area of the Russell Island Bowls Club late at night after everybody has gone home, scavenging for dropped chips while staff lock up after another long day.

Honestly, it told me more about the club than any formal interview answer ever could. Because bowls clubs are healthy little ecosystems. Especially on islands. Not just human ones either.

They are part sports venue, part therapist’s office, part music venue, part emergency relief centre, part neighbourhood kitchen and part accidental sociology experiment; the kind of place where wildlife wanders through after dark as if it belongs there too.

Somewhere between the bowls tribe and the trivia tribe sits the emotional pulse of a community trying to hold itself together in increasingly disconnected times. And now Alan Brooks has somehow found himself elected President right in the middle of it.

“I think people were looking for someone who is hands on,” he says. “Someone keen to take a strong role in steering the club through the next stage.”

That “next stage” involves a proposed new building, expanding community engagement and keeping the club relevant on rapidly growing islands where the population is shifting faster than the stereotypes mainlanders still cling to. Alan says outsiders still misunderstand island life.

“What people get wrong is the community spirit and the diversity of the residents,” he says.

That diversity is obvious the moment you walk inside. Aged care groups arriving for lunch, tradies unwinding after work, retirees dancing to live music, families feeding kids chips under tables, bowlers taking competition seriously while nobody else does and laughter spilling from the bar. Behind it all, more than thirty local staff keeping the machine running.

“It’s crazy busy, and the demands are unrelenting,” Alan laughs.

This is where the romantic mainland fantasy of bowls clubs collapses. There are no sleepy afternoons or cucumber sandwiches. The Russell Island Bowls Club is organised chaos wrapped in community obligation. Alan jokes the object that best represents it is the office panic button bell.

“The bell gets more action than the lawn bowls some days,” he says. And he’s not exaggerating, because order here is always one moment away from needing to be restored.

But beneath the humour is a system that only functions because the right people are in the right roles. At the centre of that is General Manager Phil McAuley, whose working relationship with Alan is built on trust, speed, and a shared understanding of what the club actually needs in real time. There’s no performative management layer between them; decisions happen, problems are dealt with, and things move. It’s not formal so much as instinctive.

“We’ve got a great understanding, the kind that doesn’t need over explaining,” he says.

The story, though, is not really about bowls. Not entirely. It is about belonging.

The club supports sporting groups, schools, artists, wildlife carers, musicians and community organisations. It hosts wakes and provides finger food free of charge because grieving people on small islands still quietly look after each other. It offers affordable meals in a time when many households are stretched and free entertainment across weekends because people need somewhere to go where existing doesn’t cost a fortune.

Alan talks about the venue less like a businessman and more like someone protecting a place that matters.

“The Bowls Club is definitely about bowls, but it’s also very much part of our wider community,” he says. “People come here for all sorts of reasons; and most of them have nothing to do with bowls.”

That goes some way to explaining why bowls clubs are becoming cool again in places like the Bay Islands. Younger generations are chasing what these places accidentally perfected decades ago; authenticity. Real spaces, affordable nights out, human interaction not built around image, status or performance.

The Russell Island Bowls Club manages to feel both old school and current at the same time. Alan understands the balance instinctively. He says some clubs are disappearing because they failed to adapt, while others survive by staying relevant to the communities around them.

“This does not happen by accident,” he says.

Which is why the future plans sound less like preservation and more like reinvention; family spaces, a children’s play area, flexible event areas, stronger entertainment, and more reasons for people to walk through the doors who have never touched a bowl.

“We need to lead the provision of recreation spaces and activities,” Alan says.

That sounds simple until you live on an island. Because here, places like this are not extras. They are infrastructure, and they hold people through rough weeks, keep older residents connected, and turn newcomers into locals simply by repetition.

Alan arrived about four and a half years ago after leaving the Glass House Mountains and travelling Australia as a grey nomad. He says people who thrive here tend to be connected to nature, creativity and casual friendliness.

“It also caters for people who wish to disappear from the real world,” he says.

That line resonates. Because the club seems to cater for both; people disappearing and people reconnecting.

When asked what unwritten rule defines the bowls club culture, Alan doesn’t hesitate.

“Don’t take yourself too seriously.”

Alan also speaks about wanting people to feel safe, welcome and part of the place when they walk through the doors. No grand speeches, no self importance, just good energy.

And that’s probably enough to explain how a place like this actually works; not through calm, but through constant motion, adjustment, and the people willing to keep showing up.

Alan Brooks seems fine with that, as long as the doors stay open, the lights stay on, and the panic button still works when it needs to.

Fun Fact: It’s not a “bowls ball”. It’s a “bowl”. And the white target is called “the jack”, or “the kitty”. Sounds harmless enough, until you see how quickly the claws come out when everyone’s competing for it.

BRAVEHEART BOWLERS STORM TO PAIRS TITLE ON MACLEAY ISLAND

When the Macleay Island Bowls Club Men’s Championship Pairs was recently contested on Macleay Island, few could have predicted that one day a championship final would feature Braveheart inspired face paint. Yet that’s exactly what unfolded at this year’s decider, proving once again that bowls is about far more than what appears on the scoreboard.

The much anticipated final at Seahorse Arena saw Allan Fittler and Raf Robba take on Pat Cowell and Alan “Scruffy” McGilp in a match that had spectators talking well before the first bowl was delivered.

Pat and Scruffy, both proudly claiming Scottish heritage, arrived with faces painted blue in homage to the warriors of Braveheart. Historical accuracy may have been stretched a little, but nobody could question their commitment to the occasion. In what is believed to be a first for the club, the colourful display added an extra layer of theatre to an already highly anticipated championship clash.

Whether the war paint played any part in the result will remain one of the island’s great sporting mysteries. Allan and Raf kept the contest competitive early, but as the ends ticked by, Pat and Scruffy gradually found their rhythm and edged their way ahead. By the completion of the 21st end, they had secured a 25-12 victory and the 2026 Men’s Championship Pairs title.

While the spoils went to Pat and Scruffy, Allan and Raf can hold their heads high after a strong campaign and a finals performance that contributed to a terrific spectacle for players and spectators alike.

Adding another chapter to the story is Scruffy himself, who is well known throughout the Redlands, Brisbane and Moreton regions as the lead singer of popular Celtic folk band Tullamore Tree. It seems entertaining a crowd comes naturally, whether the stage is a music festival or a bowling green.

As with all great community sporting events, the day was about more than trophies. It was about friendship, laughter, good natured rivalry and creating memories that will be talked about long after the final bowl was delivered.

Congratulations to Pat and Scruffy, who will now go on to represent Macleay Island Bowls Club at the Gateway District Club Championships. The club and the bowling community will be cheering them on every step of the way. Whether the face paint is approved and finds its way onto the district stage remains to be seen. But if it does make another appearance, no one back home will be complaining.

THE NURSE WHO NEVER STOPS GIVING

If you want to find Nurse Summer Freeman, don’t start at the medical centre. Start with the cats. Before most people have had their first coffee, Summer has already fed a collection of animals, checked on pets that aren’t technically hers and started caring for everyone except herself. By the time she arrives at work, she’s already completed what many would consider a productive morning.

But across the islands, that seems to be exactly what people have come to expect from Summer. Ask around and you’ll hear the stories. The grandmother who quietly needed help but didn’t know how to ask. The family struggling through a difficult time who suddenly found a box of essentials at their door. The patients who needed medical supplies, advice, encouragement or simply someone to listen. The residents on neighbouring islands who somehow receive exactly what they need because Summer heard about it and lugged it across on a ferry. The giving never really stops. And neither does Summer.

“I learnt to be kind from Mum,” she says simply.

Sitting beside her at 8th Sense Cafe is her mother, Robyn Freeman, who at 84 possesses the kind of energy that makes you double check her age. Throughout the morning they laugh, interrupt each other, and occasionally disagree over details that happened decades ago. The bond between them is impossible to miss.

As we sit in the cafe, the interview is repeatedly interrupted. Someone stops to say hello. Another waves from across the room. Summer greets each of them by name, effortlessly slipping back into conversation as though nothing has paused. These interruptions aren’t distractions, they are the story. This is who she is in the world she lives in.

These days Summer spends one week at the home she shares with her fiance, Robbo and one week staying with Robyn. During those weeks, after long shifts at the medical centre, Summer returns home to find dinner waiting and lunch already packed for the next day. Robyn knows her daughter often eats on the run and rarely slows down long enough to look after herself. Someone, after all, has to take care of the person who spends her life taking care of everyone else.

Summer wasn’t always destined for nursing. Born and raised on the Gold Coast, she once told her mother there were three things she’d never do. Move to Macleay Island. Go to university. Become a nurse. Seventeen years later she has achieved all three.

After starting in aged care, she completed a Diploma of Nursing before relentlessly pursuing a position at the island’s medical centre.

“I harassed them for the job,” she laughs.

Eventually the practice gave in.

“They said they’d hire me if I left them alone.”

That persistence would become one of her defining characteristics. When the islands needed a diabetes educator, Summer went back to university and became one. When there were no female doctors available to provide cervical screening services, she completed additional training. Whenever she identifies a gap in healthcare, her response is remarkably consistent. She studies, she qualifies and she fills it.

“I’ve always based my upskilling around the needs of the community,” she says. Her goal isn’t simply to treat illness.

“My goal is to change lives, not just mask symptoms.”

As a Credentialled Diabetes Educator, she works to help people improve their health through education and lifestyle changes, often helping patients delay or reduce reliance on medication. It’s work she approaches with the same philosophy that has guided her throughout her career.

Nursing, she says, is a career built as much on communication and empathy as clinical skill. And while technology continues to transform healthcare through electronic records, artificial intelligence and advanced diagnostics, Summer believes one thing remains unchanged. Patients still need human connection, they still need someone to listen and they still need someone to care.

One of her earliest lessons came as a student nurse. A patient who had just learned they were dying asked specifically to speak with her. The request surprised Summer. Surely the patient would want someone more experienced. Instead, the woman introduced Summer to her family and thanked her for making a difference. Confused, Summer asked what she’d done. The answer has stayed with her ever since.

“By just being there for me,” the patient said gratefully.

That lesson still guides her today. Whether she’s managing chronic disease, mentoring students, helping families navigate difficult diagnoses or simply listening, she understands something many people overlook. Sometimes the most important thing a healthcare professional can do is show up. It’s a quality that seems perfectly suited to island life.

After more than two decades living in the community, both Summer and Robyn have watched Macleay Island evolve. The population has grown, the landscape has changed, some of the old character has disappeared. But the spirit that first drew them here remains.

“There’s no snobbery, which I love very much,” says Robyn.

“If you are who you are, the island accepts you,” adds Summer.

Perhaps nowhere is that acceptance more visible than in the everyday acts of generosity that happen quietly across the islands. A bag of chokoes appears on a doorstep, fresh citrus gets shared around the neighbourhood, plants, produce, tools and meals move from household to household. Someone always knows somebody who can help.

“The word gets out and everyone just keeps giving,” Summer says.

She also speaks of the extraordinary people she has met along the way. Residents include a Holocaust survivor, an Antarctic explorer, and countless others with remarkable stories that never make headlines but shape the fabric of the community.

“There are so many interesting people with amazing stories,” she says.

Her work extends beyond the medical centre through her close involvement with local support networks, including the Kindness Group, where she helps identify struggling families and individuals who might otherwise slip through the cracks.

Yet despite the demands of nursing, Summer somehow still finds time for herself. She enjoys weight training, qigong and swimming. She’s a proud member of the island’s affectionately named “Bob and Bitch” group with Robyn, where locals float in the water, exchange gossip and occasionally drift with the tide.

“If you want to know anything, just go down to the Bob and Bitch group,” she jokes.

She and Robyn also share a love of outrigger paddling, although an encounter with a tiger shark dampened their enthusiasm for racing around the island. Only slightly. Because if there’s one thing you quickly learn about the Freeman women, it’s that neither is easily deterred.

Robyn still fiercely guards the fruit trees. Summer still takes on extra study whenever the community needs something. Both remain deeply invested in the place they call home.

As the morning crowd comes and goes at the café, another person stops to say hello. Then another, and another. It’s difficult to tell whether people know Summer because she’s their nurse, or whether she’s their nurse because she knows everyone.

Perhaps on the islands those two things are impossible to separate. After all, nursing isn’t really what Summer does. It’s who she is. A life built around showing up, helping out and quietly making things better.

And if you ask the people she has helped over the years, they will not talk about qualifications, titles or procedures. They will talk about the same thing. She always showed up.

BELLA CURLEW - THE WOMAN WHO SPENDS HER DAYS PUTTING THINGS BACK TOGETHER

Every morning, before the birds start calling and before another injured curlew, kookaburra or plover arrives at her door, Bella Curlew has a job to do. She puts herself back together. A shoulder first, sometimes a hip, maybe a wrist. Occasionally her jaw.

For Bella, waking up with dislocated joints is simply part of life with Ehlers Danlos Syndrome, a genetic condition that affects connective tissue and has become increasingly debilitating over the years.

Most people on the islands know Bella as the wildlife rescuer. She’s the person locals call when a bird is injured, orphaned or in trouble. What many don’t see is that some mornings, the person doing the rescuing is battling her own challenges before the day even begins.

Not long ago, Bella was facing the reality that traditional employment was becoming impossible.

“I struggled with feeling like I couldn’t contribute due to my disability and feeling quite useless,” she says.

Instead of giving up, she found a new purpose.

After completing wildlife rescue training on the mainland, Bella began helping local wildlife, drawing on years of volunteer experience with animal rescue organisations. What started as a passion soon grew into a full time commitment.

Today, her home often resembles a wildlife hospital, with injured and orphaned native birds recovering in dedicated spaces throughout the house. At various times there have been ducklings in the bathroom, recovering curlews in spare rooms and a constant stream of patients requiring medication, feeding and care.

There are challenges, of course. Some birds remember being rescued. Others remember being captured. Bella laughs that local crows still haven’t forgiven her for handling one of their youngsters. But it is the curlews that hold a special place in her heart.

Far from being the noisy birds many people think they are, Bella describes them as devoted parents and loyal companions. She has witnessed them caring for unrelated chicks and comforting injured birds during rehabilitation.

“Animals experience far more complex emotions than people realise,” she says.

That belief was tested during Cyclone Alfred, when ferry services stopped and Bella became the island’s only bird carer during the emergency. As injured wildlife continued to arrive, rooms throughout her house became makeshift hospital wards.

Despite the difficult conditions, more than eight birds survived and were eventually released back into the wild. For Bella, however, wildlife rescue has never been a solo effort.

She speaks passionately about the community members who support the work, from volunteers and donors to local businesses, artists, gardeners and residents who provide everything from transport and fundraising to towels, cages and supplies.

When asked what she wants people to know, Bella doesn’t talk about herself first.

“This wouldn’t be possible without them, and especially not without my mum,” she says.

It would be easy to focus solely on the wildlife, but beneath it all is a story about purpose. About finding a place in the world when circumstances seem determined to tell you otherwise.

Bella still creates art whenever she finds the time, often inspired by the native birds she cares for. And every now and then she gets to witness something extraordinary.

One of those stories belongs to Slick, a kookaburra who spent eleven months in care before being released. Slick found a mate, raised chicks and eventually helped care for orphaned birds Bella had rehabilitated herself. Today, an extended family of kookaburras still visits Bella’s home every day.

For all the wildlife she has helped save, there is one project Bella can’t tackle alone. The bird rehabilitation room where countless injured and orphaned native birds begin their journey back to the wild still has old carpet beneath its protective coverings. Bella and her mum dream of replacing it with durable lino flooring that can be properly sanitised and better suited to the realities of wildlife care.

It’s not a glamorous project. There are no ribbon cuttings, no headlines and no photo opportunities. But every injured curlew, orphaned duckling and recovering kookaburra that passes through Bella’s care would benefit from it.

For a community that has rallied around wildlife time and time again, this is an opportunity to support the woman who never hesitates to answer the call when an animal is in need.

If Bella has taught us anything, it’s that healing doesn’t always happen in grand gestures. Sometimes it happens one bird, one act of kindness and one helping hand at a time.

So let’s help the woman who spends her days putting broken things back together.

Donate today: Account Name: Bella Curlew

BSB: 012983 Account Number: 231515044

To everyone who has already donated, shared, volunteered, fundraised or simply cheered Bella on, thank you. And to Bella, thank you for reminding us that compassion is a force of nature all its own.

ORGANISED CHAOS, ONE PANIC BUTTON AT A TIME

At some point during our conversation, Alan Brooks started talking about curlews. Not budgets, not committee politics, not membership numbers or operational strategy. Curlews.

Specifically, the one that wanders through the outdoor area of the Russell Island Bowls Club late at night after everybody has gone home, scavenging for dropped chips while staff lock up after another long day.

Honestly, it told me more about the club than any formal interview answer ever could. Because bowls clubs are healthy little ecosystems. Especially on islands. Not just human ones either.

They are part sports venue, part therapist’s office, part music venue, part emergency relief centre, part neighbourhood kitchen and part accidental sociology experiment; the kind of place where wildlife wanders through after dark as if it belongs there too.

Somewhere between the bowls tribe and the trivia tribe sits the emotional pulse of a community trying to hold itself together in increasingly disconnected times. And now Alan Brooks has somehow found himself elected President right in the middle of it.

“I think people were looking for someone who is hands on,” he says. “Someone keen to take a strong role in steering the club through the next stage.”

That “next stage” involves a proposed new building, expanding community engagement and keeping the club relevant on rapidly growing islands where the population is shifting faster than the stereotypes mainlanders still cling to. Alan says outsiders still misunderstand island life.

“What people get wrong is the community spirit and the diversity of the residents,” he says.

That diversity is obvious the moment you walk inside. Aged care groups arriving for lunch, tradies unwinding after work, retirees dancing to live music, families feeding kids chips under tables, bowlers taking competition seriously while nobody else does and laughter spilling from the bar. Behind it all, more than thirty local staff keeping the machine running.

“It’s crazy busy, and the demands are unrelenting,” Alan laughs.

This is where the romantic mainland fantasy of bowls clubs collapses. There are no sleepy afternoons or cucumber sandwiches. The Russell Island Bowls Club is organised chaos wrapped in community obligation. Alan jokes the object that best represents it is the office panic button bell.

“The bell gets more action than the lawn bowls some days,” he says. And he’s not exaggerating, because order here is always one moment away from needing to be restored.

But beneath the humour is a system that only functions because the right people are in the right roles. At the centre of that is General Manager Phil McAuley, whose working relationship with Alan is built on trust, speed, and a shared understanding of what the club actually needs in real time. There’s no performative management layer between them; decisions happen, problems are dealt with, and things move. It’s not formal so much as instinctive.

“We’ve got a great understanding, the kind that doesn’t need over explaining,” he says.

The story, though, is not really about bowls. Not entirely. It is about belonging.

The club supports sporting groups, schools, artists, wildlife carers, musicians and community organisations. It hosts wakes and provides finger food free of charge because grieving people on small islands still quietly look after each other. It offers affordable meals in a time when many households are stretched and free entertainment across weekends because people need somewhere to go where existing doesn’t cost a fortune.

Alan talks about the venue less like a businessman and more like someone protecting a place that matters.

“The Bowls Club is definitely about bowls, but it’s also very much part of our wider community,” he says. “People come here for all sorts of reasons; and most of them have nothing to do with bowls.”

That goes some way to explaining why bowls clubs are becoming cool again in places like the Bay Islands. Younger generations are chasing what these places accidentally perfected decades ago; authenticity. Real spaces, affordable nights out, human interaction not built around image, status or performance.

The Russell Island Bowls Club manages to feel both old school and current at the same time. Alan understands the balance instinctively. He says some clubs are disappearing because they failed to adapt, while others survive by staying relevant to the communities around them.

“This does not happen by accident,” he says.

Which is why the future plans sound less like preservation and more like reinvention; family spaces, a children’s play area, flexible event areas, stronger entertainment, and more reasons for people to walk through the doors who have never touched a bowl.

“We need to lead the provision of recreation spaces and activities,” Alan says.

That sounds simple until you live on an island. Because here, places like this are not extras. They are infrastructure, and they hold people through rough weeks, keep older residents connected, and turn newcomers into locals simply by repetition.

Alan arrived about four and a half years ago after leaving the Glass House Mountains and travelling Australia as a grey nomad. He says people who thrive here tend to be connected to nature, creativity and casual friendliness.

“It also caters for people who wish to disappear from the real world,” he says.

That line resonates. Because the club seems to cater for both; people disappearing and people reconnecting.

When asked what unwritten rule defines the bowls club culture, Alan doesn’t hesitate.

“Don’t take yourself too seriously.”

Alan also speaks about wanting people to feel safe, welcome and part of the place when they walk through the doors. No grand speeches, no self importance, just good energy.

And that’s probably enough to explain how a place like this actually works; not through calm, but through constant motion, adjustment, and the people willing to keep showing up.

Alan Brooks seems fine with that, as long as the doors stay open, the lights stay on, and the panic button still works when it needs to.

Fun Fact: It’s not a “bowls ball”. It’s a “bowl”. And the white target is called “the jack”, or “the kitty”. Sounds harmless enough, until you see how quickly the claws come out when everyone’s competing for it.

BRAVEHEART BOWLERS STORM TO PAIRS TITLE ON MACLEAY ISLAND

When the Macleay Island Bowls Club Men’s Championship Pairs was recently contested on Macleay Island, few could have predicted that one day a championship final would feature Braveheart inspired face paint. Yet that’s exactly what unfolded at this year’s decider, proving once again that bowls is about far more than what appears on the scoreboard.

The much anticipated final at Seahorse Arena saw Allan Fittler and Raf Robba take on Pat Cowell and Alan “Scruffy” McGilp in a match that had spectators talking well before the first bowl was delivered.

Pat and Scruffy, both proudly claiming Scottish heritage, arrived with faces painted blue in homage to the warriors of Braveheart. Historical accuracy may have been stretched a little, but nobody could question their commitment to the occasion. In what is believed to be a first for the club, the colourful display added an extra layer of theatre to an already highly anticipated championship clash.

Whether the war paint played any part in the result will remain one of the island’s great sporting mysteries. Allan and Raf kept the contest competitive early, but as the ends ticked by, Pat and Scruffy gradually found their rhythm and edged their way ahead. By the completion of the 21st end, they had secured a 25-12 victory and the 2026 Men’s Championship Pairs title.

While the spoils went to Pat and Scruffy, Allan and Raf can hold their heads high after a strong campaign and a finals performance that contributed to a terrific spectacle for players and spectators alike.

Adding another chapter to the story is Scruffy himself, who is well known throughout the Redlands, Brisbane and Moreton regions as the lead singer of popular Celtic folk band Tullamore Tree. It seems entertaining a crowd comes naturally, whether the stage is a music festival or a bowling green.

As with all great community sporting events, the day was about more than trophies. It was about friendship, laughter, good natured rivalry and creating memories that will be talked about long after the final bowl was delivered.

Congratulations to Pat and Scruffy, who will now go on to represent Macleay Island Bowls Club at the Gateway District Club Championships. The club and the bowling community will be cheering them on every step of the way. Whether the face paint is approved and finds its way onto the district stage remains to be seen. But if it does make another appearance, no one back home will be complaining.

THE NURSE WHO NEVER STOPS GIVING

If you want to find Nurse Summer Freeman, don’t start at the medical centre. Start with the cats. Before most people have had their first coffee, Summer has already fed a collection of animals, checked on pets that aren’t technically hers and started caring for everyone except herself. By the time she arrives at work, she’s already completed what many would consider a productive morning.

But across the islands, that seems to be exactly what people have come to expect from Summer. Ask around and you’ll hear the stories. The grandmother who quietly needed help but didn’t know how to ask. The family struggling through a difficult time who suddenly found a box of essentials at their door. The patients who needed medical supplies, advice, encouragement or simply someone to listen. The residents on neighbouring islands who somehow receive exactly what they need because Summer heard about it and lugged it across on a ferry. The giving never really stops. And neither does Summer.

“I learnt to be kind from Mum,” she says simply.

Sitting beside her at 8th Sense Cafe is her mother, Robyn Freeman, who at 84 possesses the kind of energy that makes you double check her age. Throughout the morning they laugh, interrupt each other, and occasionally disagree over details that happened decades ago. The bond between them is impossible to miss.

As we sit in the cafe, the interview is repeatedly interrupted. Someone stops to say hello. Another waves from across the room. Summer greets each of them by name, effortlessly slipping back into conversation as though nothing has paused. These interruptions aren’t distractions, they are the story. This is who she is in the world she lives in.

These days Summer spends one week at the home she shares with her fiance, Robbo and one week staying with Robyn. During those weeks, after long shifts at the medical centre, Summer returns home to find dinner waiting and lunch already packed for the next day. Robyn knows her daughter often eats on the run and rarely slows down long enough to look after herself. Someone, after all, has to take care of the person who spends her life taking care of everyone else.

Summer wasn’t always destined for nursing. Born and raised on the Gold Coast, she once told her mother there were three things she’d never do. Move to Macleay Island. Go to university. Become a nurse. Seventeen years later she has achieved all three.

After starting in aged care, she completed a Diploma of Nursing before relentlessly pursuing a position at the island’s medical centre.

“I harassed them for the job,” she laughs.

Eventually the practice gave in.

“They said they’d hire me if I left them alone.”

That persistence would become one of her defining characteristics. When the islands needed a diabetes educator, Summer went back to university and became one. When there were no female doctors available to provide cervical screening services, she completed additional training. Whenever she identifies a gap in healthcare, her response is remarkably consistent. She studies, she qualifies and she fills it.

“I’ve always based my upskilling around the needs of the community,” she says. Her goal isn’t simply to treat illness.

“My goal is to change lives, not just mask symptoms.”

As a Credentialled Diabetes Educator, she works to help people improve their health through education and lifestyle changes, often helping patients delay or reduce reliance on medication. It’s work she approaches with the same philosophy that has guided her throughout her career.

Nursing, she says, is a career built as much on communication and empathy as clinical skill. And while technology continues to transform healthcare through electronic records, artificial intelligence and advanced diagnostics, Summer believes one thing remains unchanged. Patients still need human connection, they still need someone to listen and they still need someone to care.

One of her earliest lessons came as a student nurse. A patient who had just learned they were dying asked specifically to speak with her. The request surprised Summer. Surely the patient would want someone more experienced. Instead, the woman introduced Summer to her family and thanked her for making a difference. Confused, Summer asked what she’d done. The answer has stayed with her ever since.

“By just being there for me,” the patient said gratefully.

That lesson still guides her today. Whether she’s managing chronic disease, mentoring students, helping families navigate difficult diagnoses or simply listening, she understands something many people overlook. Sometimes the most important thing a healthcare professional can do is show up. It’s a quality that seems perfectly suited to island life.

After more than two decades living in the community, both Summer and Robyn have watched Macleay Island evolve. The population has grown, the landscape has changed, some of the old character has disappeared. But the spirit that first drew them here remains.

“There’s no snobbery, which I love very much,” says Robyn.

“If you are who you are, the island accepts you,” adds Summer.

Perhaps nowhere is that acceptance more visible than in the everyday acts of generosity that happen quietly across the islands. A bag of chokoes appears on a doorstep, fresh citrus gets shared around the neighbourhood, plants, produce, tools and meals move from household to household. Someone always knows somebody who can help.

“The word gets out and everyone just keeps giving,” Summer says.

She also speaks of the extraordinary people she has met along the way. Residents include a Holocaust survivor, an Antarctic explorer, and countless others with remarkable stories that never make headlines but shape the fabric of the community.

“There are so many interesting people with amazing stories,” she says.

Her work extends beyond the medical centre through her close involvement with local support networks, including the Kindness Group, where she helps identify struggling families and individuals who might otherwise slip through the cracks.

Yet despite the demands of nursing, Summer somehow still finds time for herself. She enjoys weight training, qigong and swimming. She’s a proud member of the island’s affectionately named “Bob and Bitch” group with Robyn, where locals float in the water, exchange gossip and occasionally drift with the tide.

“If you want to know anything, just go down to the Bob and Bitch group,” she jokes.

She and Robyn also share a love of outrigger paddling, although an encounter with a tiger shark dampened their enthusiasm for racing around the island. Only slightly. Because if there’s one thing you quickly learn about the Freeman women, it’s that neither is easily deterred.

Robyn still fiercely guards the fruit trees. Summer still takes on extra study whenever the community needs something. Both remain deeply invested in the place they call home.

As the morning crowd comes and goes at the café, another person stops to say hello. Then another, and another. It’s difficult to tell whether people know Summer because she’s their nurse, or whether she’s their nurse because she knows everyone.

Perhaps on the islands those two things are impossible to separate. After all, nursing isn’t really what Summer does. It’s who she is. A life built around showing up, helping out and quietly making things better.

And if you ask the people she has helped over the years, they will not talk about qualifications, titles or procedures. They will talk about the same thing. She always showed up.

BELLA CURLEW - THE WOMAN WHO SPENDS HER DAYS PUTTING THINGS BACK TOGETHER

Every morning, before the birds start calling and before another injured curlew, kookaburra or plover arrives at her door, Bella Curlew has a job to do. She puts herself back together. A shoulder first, sometimes a hip, maybe a wrist. Occasionally her jaw.

For Bella, waking up with dislocated joints is simply part of life with Ehlers Danlos Syndrome, a genetic condition that affects connective tissue and has become increasingly debilitating over the years.

Most people on the islands know Bella as the wildlife rescuer. She’s the person locals call when a bird is injured, orphaned or in trouble. What many don’t see is that some mornings, the person doing the rescuing is battling her own challenges before the day even begins.

Not long ago, Bella was facing the reality that traditional employment was becoming impossible.

“I struggled with feeling like I couldn’t contribute due to my disability and feeling quite useless,” she says.

Instead of giving up, she found a new purpose.

After completing wildlife rescue training on the mainland, Bella began helping local wildlife, drawing on years of volunteer experience with animal rescue organisations. What started as a passion soon grew into a full time commitment.

Today, her home often resembles a wildlife hospital, with injured and orphaned native birds recovering in dedicated spaces throughout the house. At various times there have been ducklings in the bathroom, recovering curlews in spare rooms and a constant stream of patients requiring medication, feeding and care.

There are challenges, of course. Some birds remember being rescued. Others remember being captured. Bella laughs that local crows still haven’t forgiven her for handling one of their youngsters. But it is the curlews that hold a special place in her heart.

Far from being the noisy birds many people think they are, Bella describes them as devoted parents and loyal companions. She has witnessed them caring for unrelated chicks and comforting injured birds during rehabilitation.

“Animals experience far more complex emotions than people realise,” she says.

That belief was tested during Cyclone Alfred, when ferry services stopped and Bella became the island’s only bird carer during the emergency. As injured wildlife continued to arrive, rooms throughout her house became makeshift hospital wards.

Despite the difficult conditions, more than eight birds survived and were eventually released back into the wild. For Bella, however, wildlife rescue has never been a solo effort.

She speaks passionately about the community members who support the work, from volunteers and donors to local businesses, artists, gardeners and residents who provide everything from transport and fundraising to towels, cages and supplies.

When asked what she wants people to know, Bella doesn’t talk about herself first.

“This wouldn’t be possible without them, and especially not without my mum,” she says.

It would be easy to focus solely on the wildlife, but beneath it all is a story about purpose. About finding a place in the world when circumstances seem determined to tell you otherwise.

Bella still creates art whenever she finds the time, often inspired by the native birds she cares for. And every now and then she gets to witness something extraordinary.

One of those stories belongs to Slick, a kookaburra who spent eleven months in care before being released. Slick found a mate, raised chicks and eventually helped care for orphaned birds Bella had rehabilitated herself. Today, an extended family of kookaburras still visits Bella’s home every day.

For all the wildlife she has helped save, there is one project Bella can’t tackle alone. The bird rehabilitation room where countless injured and orphaned native birds begin their journey back to the wild still has old carpet beneath its protective coverings. Bella and her mum dream of replacing it with durable lino flooring that can be properly sanitised and better suited to the realities of wildlife care.

It’s not a glamorous project. There are no ribbon cuttings, no headlines and no photo opportunities. But every injured curlew, orphaned duckling and recovering kookaburra that passes through Bella’s care would benefit from it.

For a community that has rallied around wildlife time and time again, this is an opportunity to support the woman who never hesitates to answer the call when an animal is in need.

If Bella has taught us anything, it’s that healing doesn’t always happen in grand gestures. Sometimes it happens one bird, one act of kindness and one helping hand at a time.

So let’s help the woman who spends her days putting broken things back together.

Donate today: Account Name: Bella Curlew

BSB: 012983 Account Number: 231515044

To everyone who has already donated, shared, volunteered, fundraised or simply cheered Bella on, thank you. And to Bella, thank you for reminding us that compassion is a force of nature all its own.

WOMEN, WORK AND THE ART OF CONNECTION

There was a particular kind of charge at the recent Women in Business Breakfast hosted by the Southern Moreton Bay Islands Chamber of Commerce. Not noise, not formality, but something far more grounded; recognition. The kind that comes when a room is full of people who have built things the hard way and are finally given space to speak it out loud.

Set against the backdrop of local displays from Jules Sound Therapy and Wellbeing, Siobhan Demeester, Sandy Beach Studio and Writers on the Water, the event felt less like a formal breakfast and more like a snapshot of the islands themselves; creative, grounded, and deeply interconnected.

The morning opened with a performance from the Bay Island Singers before emcee duties were handed to Kimberley Priest; an interior designer and leadership specialist whose career has moved through high pressure sales environments, team leadership, and what she describes as “sales success without the stress.”

But it was the lived experience on stage that anchored the event, not just the frameworks. One of the most talked about speakers was Rhondda Vanzella OAM, who brought with her decades of regional leadership experience from Tumut, where she supported community initiatives during 25 years as Mayor’s wife, while also operating a retail business and working in agriculture with her late husband. Her presence didn’t need emphasis. It carried its own weight, the kind of authority that comes from decades of quiet, consistent contribution in regional communities where everything depends on someone stepping in.

Alongside her on the panel was OJ Rushton, known locally for her work with the Bay Island Singers and nationally for youth led creative initiatives including large scale reconciliation choirs and upcoming national participation goals. Sue McGrath, Vice President of the Chamber and owner of Bucks Earthworkz was the fourth speaker, and quite literally helped build the morning from the ground up. She prepared and served breakfast alongside her daughter Danielle and Danielle’s friend Kaydence, before stepping into the panel discussion.

Together, the speakers formed a loose but compelling narrative; leadership in regional communities rarely looks like hierarchy. It looks like persistence, systems, and showing up anyway.

Chamber President, Geoff Manu said the idea behind the breakfast was simple, but intentional. He described the event as a way to genuinely recognise the role women play across island business life, but also to create something more practical than celebration alone.

“It was about bringing people together, sharing stories, and showcasing the talent that already exists here,” he said.

For Geoff, the value of events like this sits in the overlap between business and community.

“We need to keep celebrating and showcasing what and who we have here. One thing I’ve learned in business is you have to have fun, and events like this give us that space.”

He said those connections matter just as much as any formal strategy.

“They strengthen local relationships, encourage collaboration, and help keep economic activity within our own community.”

One of the strongest themes to emerge from the morning was how often leadership in small communities goes unrecognised because it doesn’t arrive with titles attached. Geoff reflected that the room itself was proof of that.

“The event highlighted just how many strong female leaders we already have,” he said.

“Leadership here looks like resilience, collaboration, and quietly getting things done for the good of the community.”

The keynote address from local Russell Island postmistress, Kylie Purtell grounded the room in familiar territory; the everyday infrastructure of island life that often goes unnoticed until it doesn’t work.

Her story, Geoff said, resonated strongly.

“It gave everyone a genuine insight into one of our leading female business operators; someone who is well known, trusted and respected across the islands. That authenticity really connected with the room.”

Beyond the speakers, the breakfast also signalled a broader intent from the Chamber under Geoff’s leadership; to be more visible, more active, and more representative of the business landscape it serves.

The current Chamber includes seven elected members, four of whom are women; something Geoff says is already shaping direction. He also noted the changing makeup of the islands themselves.

“Our islands are growing and evolving, and with that comes new people, new skills, and new opportunities. Events like this help bring the new and the old together; because what and who we have here is already something pretty special.”

The Chamber is now calling for new members as it continues to expand its events program and local engagement.

Membership enquiries are being co-ordinated by Secretary, Jody Wright, with expressions of interest directed to admin@smbichamber.org.au

As the morning wrapped, prizes were drawn, breakfast plates cleared, and conversations continued well beyond the formal program. Which, in many ways, is exactly what the Chamber had hoped for. Not a performance. Not a panel. But a room full of people recognising each other as part of the same system. Still building, still adapting, still here.

WHAT MAINLANDERS GET WRONG ABOUT US

It started on the ferry, somewhere between the mainland and Karragarra island. Wedged between eskies, tradie boots, day trippers and dogs, I realised the best stories out here aren’t planned, they just happen. So I started talking. Not interviews, conversations. The kind that start with “how’s your day?” and end with someone telling you exactly why they came to the islands, or why they’ll never leave.

You’ll notice I’ve only used first names. That’s intentional.  First names keep it real, a little anonymous, and very island. Because these aren’t polished quotes. They’re ferry truths, shared somewhere between departure and arrival, where people tend to drop the filter.

They think we’re slow. Not the good kind of slow. Not the “soak it in” kind. Just….slow.

“Mate, I’ve done three jobs before most mainlanders hit snooze,” Darren says, leaning against the rail, coffee in hand, like he’s got nowhere else he needs to be, but everything’s already been done.

The mainland sees the ferry schedule like it’s a problem to solve. Out here, it’s just part of the day. Miss one and you don’t spiral, you sit, you talk, you wait it out. Life doesn’t fall apart because something ran late.

“We’re not behind, we’re just not in a hurry to prove anything,” Leanne says, arms folded, eyes fixed on the horizon.

They think we’re disconnected. No Uber Eats or McDonald’s, just patchy reception and power outages that roll in uninvited. From the outside, it looks like we’re living primitively.

“Disconnected? Try living next door to someone for ten years and not knowing their name,” Mick laughs.

Out here, connection isn’t digital, it’s practical. It’s knowing who has a generator when the lights go out, who’s got tools, who’ll show up without being asked.

They think we’re a bit unusual. And maybe from the outside, that’s fair enough. Life here doesn’t always follow a straight line. Homes are built not to impress anyone, just to fit the way people actually live. Nothing is overly polished and nothing quite matches the mainland blueprint.  But somehow, it all works exactly as it is.

That’s not chaos, that’s choice. No one’s trying to fit here, and that’s the point.

“Where else can you just decide who you are and no one questions it?” Jules says, paint still under her fingernails, like the work never really stops.

They think we’re living the dream. Sunsets, water views, bare feet. The kind of life that looks perfect on an Instagram feed.

“Holiday? Try building anything when your materials arrive ‘sometime between Tuesday and….we’ll see,’” Rob says, letting out a laugh that turns a few heads.

Nothing’s easy and nothing’s instant. You learn patience whether you like it or not. But what the mainland really gets wrong isn’t the pace, or the quirks, or the way things work out here. It’s the idea that something is missing.

Because out here, nothing is missing. It’s just not measured the same way.  Time moves sideways, conversations go longer than they should, plans fall through and something better replaces them, and people notice when you’re not around.

“It’s not for everyone, but the ones who get it don’t leave,” Kylie says, standing as the ferry begins to slow.

The engine drops back, people gather their things, conversations stop mid sentence and just like that, life continues exactly as it’s meant to.

And maybe that’s the part the mainlanders never quite get.  We’re not behind, we’re not disconnected, and we’re not a version of life that needs fixing.  We’re just living it differently. One ferry, one conversation, one island at a time.

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Every shed on the islands has one: the pile of things that were too good to throw out, but not quite useful enough to use again. Yet.

Old timber, bent wire, broken furniture, jars without lids. None of it feels like much on its own, but together it tells a story about how we live, what we value, and what we’re willing to give a second look.

Recycling here isn’t just about putting things in the right bin. It’s about what happens when people decide not to let things go to waste in the first place. It’s practical, but it’s also creative, and increasingly, it’s becoming something the community is actively shaping.

That idea sits at the heart of the Repurpose, Recycle and Reuse Art Competition and Exhibition, returning to Russell Island from 22 May to 21 June.  Organisers, Bernard Demeester and Bob Turner are inviting locals to see beyond the bin.

“We started this festival so people recognise that repurposing and reusing is exciting, and once you start, you see potential everywhere,” Bernard says.

And that potential was on full display last year. Islanders turned scrap into striking pieces; tin men garden art standing proudly in yards, woven mats and wall hangings made from salvaged materials, timber transformed into sculptures, and old windows given new life as artworks.

Now, with entries closing on 15th May, Bob is calling on the community once again to get involved; whether you’re a seasoned maker or just someone with an idea and a pile of “might be useful one day” materials.

“Getting involved in this event helps the environment, it’s good for your mind, and it brings out your creativity,” said Bob.

The event has also been strongly supported since its inception by local business owner, Dan Golin of Marleys Landscaping, a quiet but consistent backer of community initiatives.

“Events like this bring people together in a really positive way,” Dan says.

“It’s not just about the art, it’s about connection, sharing ideas, and taking pride in what we can create as a community.”

In a place where every choice has a visible impact, recycling and reusing isn’t just practical; it’s part of looking after the islands themselves.

Entries for the Repurpose, Recycle & Reuse Art Competition and Exhibition close 15th May, with the exhibition open from 22 May to 21 June.

For further information and entry details, visit www.russellislandcommunityarts.com.au




Every shed on the islands has one: the pile of things that were too good to throw out, but not quite useful enough to use again. Yet.

Old timber, bent wire, broken furniture, jars without lids. None of it feels like much on its own, but together it tells a story about how we live, what we value, and what we’re willing to give a second look.

Recycling here isn’t just about putting things in the right bin. It’s about what happens when people decide not to let things go to waste in the first place. It’s practical, but it’s also creative, and increasingly, it’s becoming something the community is actively shaping.

That idea sits at the heart of the Repurpose, Recycle and Reuse Art Competition and Exhibition, returning to Russell Island from 22 May to 21 June.  Organisers, Bernard Demeester and Bob Turner are inviting locals to see beyond the bin.

“We started this festival so people recognise that repurposing and reusing is exciting, and once you start, you see potential everywhere,” Bernard says.

And that potential was on full display last year. Islanders turned scrap into striking pieces; tin men garden art standing proudly in yards, woven mats and wall hangings made from salvaged materials, timber transformed into sculptures, and old windows given new life as artworks.

Now, with entries closing on 15th May, Bob is calling on the community once again to get involved; whether you’re a seasoned maker or just someone with an idea and a pile of “might be useful one day” materials.

“Getting involved in this event helps the environment, it’s good for your mind, and it brings out your creativity,” said Bob.

The event has also been strongly supported since its inception by local business owner, Dan Golin of Marleys Landscaping, a quiet but consistent backer of community initiatives.

“Events like this bring people together in a really positive way,” Dan says.

“It’s not just about the art, it’s about connection, sharing ideas, and taking pride in what we can create as a community.”

In a place where every choice has a visible impact, recycling and reusing isn’t just practical; it’s part of looking after the islands themselves.

Entries for the Repurpose, Recycle & Reuse Art Competition and Exhibition close 15th May, with the exhibition open from 22 May to 21 June.

For further information and entry details, visit www.russellislandcommunityarts.com.au




Every shed on the islands has one: the pile of things that were too good to throw out, but not quite useful enough to use again. Yet.

Old timber, bent wire, broken furniture, jars without lids. None of it feels like much on its own, but together it tells a story about how we live, what we value, and what we’re willing to give a second look.

Recycling here isn’t just about putting things in the right bin. It’s about what happens when people decide not to let things go to waste in the first place. It’s practical, but it’s also creative, and increasingly, it’s becoming something the community is actively shaping.

That idea sits at the heart of the Repurpose, Recycle and Reuse Art Competition and Exhibition, returning to Russell Island from 22 May to 21 June.  Organisers, Bernard Demeester and Bob Turner are inviting locals to see beyond the bin.

“We started this festival so people recognise that repurposing and reusing is exciting, and once you start, you see potential everywhere,” Bernard says.

And that potential was on full display last year. Islanders turned scrap into striking pieces; tin men garden art standing proudly in yards, woven mats and wall hangings made from salvaged materials, timber transformed into sculptures, and old windows given new life as artworks.

Now, with entries closing on 15th May, Bob is calling on the community once again to get involved; whether you’re a seasoned maker or just someone with an idea and a pile of “might be useful one day” materials.

“Getting involved in this event helps the environment, it’s good for your mind, and it brings out your creativity,” said Bob.

The event has also been strongly supported since its inception by local business owner, Dan Golin of Marleys Landscaping, a quiet but consistent backer of community initiatives.

“Events like this bring people together in a really positive way,” Dan says.

“It’s not just about the art, it’s about connection, sharing ideas, and taking pride in what we can create as a community.”

In a place where every choice has a visible impact, recycling and reusing isn’t just practical; it’s part of looking after the islands themselves.

Entries for the Repurpose, Recycle & Reuse Art Competition and Exhibition close 15th May, with the exhibition open from 22 May to 21 June.

For further information and entry details, visit www.russellislandcommunityarts.com.au